Documentary film-maker Noam Osband will be presenting a screening of his award-winning short film, The Radical Jew, on Tuesday, November 14, from 9:30 am – 11:00 am. The screening will be held in Video Theater 2 at the Homer Babbidge Library.
If you require an accommodation to participate in this event, please contact the Center at 860-486-2271 or judaicstudies@uconn.edu by November 7, 2017.
About the Film
The Radical Jew examines the views of Baruch Marzel, a prominent leader of the Jewish settler community in Hebron, Israel.
Awards
Winner of Best Outstanding Nonfiction at the 2017 Short. Sweet. Film Fest. Winner of Best Documentary Short at the 2016 Charlotte Film Festival Winner of Outstanding Documentary Short at the 2016 Tallgrass International Film Festival
This event is made possible by the Center for Judaic Studies and Contemporary Jewish Life and UConn's Middle East Studies Program.
On November 16, 2017, at 7:00 pm, the Center for Judaic Studies and Contemporary Jewish Life, in partnership with Charter Oak Cultural Center, brings the Guy Mendilow Ensemble to Hartford to perform The Forgotten Kingdom. As part of the Center's Scholarship and the Arts initiative, this performance is made free and open to the public!
The Guy Mendilow Ensemble is an award-winning quintet with a cast of world-class players who mesmerize audiences with their skill in playing a wide variety of instruments, including the berimbau, jaw harps, and thumb piano. Their unique performances combine premier musicianship with cinematic storytelling, conjuring voices lost to war and upheaval, whisking audiences to distant times and picturesque places and, ultimately, inspiring the motivation to explore lesser known cultures and histories as they recreate the music of the Sephardic diaspora and tell the stories of lost cultures.
The ensemble specializes in deep community engagement and has been artist-in-residence with Celebrity Series of Boston since 2014. In 2017, the National Endowment for the Arts selected the Guy Mendilow Ensemble for Art Works, a grant for the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, and the strengthening of communities through the arts.
Alongside touring with the Guy Mendilow Ensemble, members are on the faculty of music schools like the Swarnabhoomi Academy of Music in India and tour/record with the likes of Bobby McFerrin, Yo Yo Ma, Snarky Puppy, the Assad Brothers, Christian McBride, the Video Game Orchestra, Amanda Palmer, and Simon Shaheen. Formed in 2004, the Ensemble is based in Boston and New York.
About the Show
Rendering stories and songs of an older age with drama, humour and heart, The Forgotten Kingdom finds highly resonant, deeply moving connections to contemporary struggles, debates, and dilemmas. By digging deep into Sephardic scholarship and revitalizing the sound recorded on gritty field recordings, Mendilow and company bring tales to life, intertwining voices, percussion, and soulful playing to render these songs in all their color, drama, and heart. The Forgotten Kingdom is a musical trek through a nearly lost world as the audience journeys through former Ottoman lands starting in Sarajevo and winding through Salónica in a narrative-driven performance that reimagines the historical record of Sephardic communities of the Balkans and Mediterranean.
Director’s Note
70 years after the end of WWII, American craving for stories about this global war persists, evidenced by the volume of WWII novels, Hollywood films and documentaries released yearly. However, ask the average American what s/he knows about Spanish-speaking Jewish communities in Greece, Bulgaria or Bosnia, and you will most likely receive a blank stare. Why is it we know so much about the plight of certain communities in WWII, yet others are virtually ignored?
I first heard Sephardic songs from Balkan and Mediterranean communities in my boyhood Jerusalem home. Yet it wasn’t until later that I started listening through other artists’ interpretations to the traditional songs and their tales —and got hooked by the meandering modes, by stories that harken to Tolkien (and, it turns out, on which Tolkien based some of his work) and by a riveting history of integration, migration and adaptation. These are great stories. Not because they are Jewish or Mediterranean or Balkan, but because they present near-universal themes that continue to captivate today. And the story of the stories—a case study in shifting identities due to migration, the evolution and change of tradition, of resilience and struggle—is alive and relevant today, too.
The story of Ladino mirrors experiences that I, and most of the artists in the Ensemble, live personally, as an immigrant to this country. The same is true for many of our audience members. My hope for Forgotten Kingdom is to spark fascination with these stories, their communities, and ultimately their meta-story, through arrangements and storytelling that create an emotional experience strong enough to sweep audiences away, even if they know nothing about Ladino culture. The stories are too good to be ignored, and the communities from which they come too important in terms of what they represent—from models of integration and interfaith cooperation to their own rich heritage—to be dismissed.
— Guy Mendilow
What People Are Saying
“...music of hope and affirmation, sophisticated in its delivery but easily accessible to listeners anywhere” — Chicago Tribune
“a resurgent force …explodes with artistry, refinement, and excitement” — Yvon Shore, Hebrew Union College, Cincinnati OH
“...an international tour de force.” — Bethlehem Morning Call
“The Guy Mendilow Ensemble was magical! They performed superbly and let us dream throughout the Mediterranean world.” — Peter Steinfeld, ACES Series, Buena Vista University, Storm Lake, IA
“…The ensemble takes you on a tour through an almost lost world that is filled with stories, beautiful melodies, and traditions. Guy and his ensemble have a way of capturing this tradition while making it accessible and engaging for a contemporary audience...the music has a broad appeal that reaches in a way that’s entertaining and enlightening. Simply said, you come to enjoy a concert, but the cultural experience and learning is much deeper. From his showmanship to his skill as a convener, teacher, and cultural explorer, Guy Mendilow is reviving an important culture though his music, one that I believe has much value throughout the world.” — Laura Mandel, New Center NOW, Boston, MA
Modi Rosenfeld, voted one of the top 10 comedians in New York City by the Hollywood Reporter and BackStage, will be performing on Monday, September 18, 7:30 pm, at the Gilman Theater, Mandell Jewish Community Center (335 Bloomfield Avenue, West Hartford, CT).
One of the comedy circuit’s most sought-after performers, Modi has been featured on HBO, CBS, NBC, ABC, Comedy Central, Howard Stern, and E! Entertainment and has received rave reviews in The New York Times, Time Out NY, and the New York Post.
Tickets are $10. Attendance is free for students with student ID. For reservations, contact the Mandell Jewish Community Center Box Office at 860.231.6316. Or purchase online at:
This event is sponsored by the Lillian Margulies Singer Jewish Humor Fund, the Maurice Greenberg Center for Judaic Studies, the Mandell Jewish Community Center, and the UConn Center for Judaic Studies and Contemporary Jewish Life.
About MODI
Born in Israel, MODI moved to the United States when he was seven. After college, MODI worked as an investment banker and had no plans to become a stand up comedian. But one open mic changed everything.
Amelia David of BackStage raves, “MODI has a young Sid Caesar-esque talent for creating accents and characters, making him appeal to a diverse market.” According to the Los Angeles Times, MODI is “versatile and quick on his feet. He can read an audience in a beat and improvise so nimbly that he keeps any audience, regardless of age, race and gender, laughing.”
MODI has appeared in several feature films and played leading roles in two: Waiting for Woody Allen, which won the LA Film Festival, and Stand Up, a feature-length film. According to Variety, MODI delivers a “naturally funny performance with a tremendous amount of energy on screen.”
MODI is a regular performer at the New York and Los Angeles comedy clubs and headlines around the country. He has also gone on tour in the United Kingdom, Holland and Israel and performs in comedy festivals and special venues, including Montreal’s Just for Laughs Comedy Festival and The John F. Kennedy Center for the Performing Arts in Washington, D.C.
Sun. May 7, 2:00 pm: Center for Judaic Studies Writer-in-Residence Joan Seliger Sidney will be participating in Poetry Rocks!, a quarterly poetry series at Arts Center East in Vernon (709 Hartford Turnpike). For more information, visit Arts Center East.
Joan Seliger Sidney is the author of Bereft and Blessed, Body of Diminishing Motion: Poems and a Memoir (an Eric Hoffer Finalist, 2015) and The Way the Past Comes Back. She has received individual artist’s poetry fellowships from the Connecticut Commission on the Arts, Connecticut Commission on Culture and Tourism, Craig H. Neilsen Foundation, Christopher Reeve Paralysis Foundation, Vermont Studio Center, and a Visiting Faculty Fellowship from Yale. She’s writer-in-residence at the University of Connecticut’s Center for Judaic Studies and Contemporary Jewish Life. In addition, she facilitates “Writing for Your Life,” an adult workshop.
Judaic Studies affiliated faculty member Professor Frederick Roden will be discussing his latest book, Recovering Jewishness: Modern Identities Reclaimed (Praeger 2016) at a Book Talk sponsored by the UConn English Department. The event takes place on May 3, at 1:30 pm, in the Stern Room, Austin Hall.
Also presenting at the Book Talk will be Professor Patrick Hogan who will discuss his latest work, Imagining Kashmir: Emplotment and Colonialism (University of Nebraska 2016).
The UConn Humanities Institute will be hosting a talk on Monday, April 24, at 4:00 pm with guest speaker Dr. James E. Young entitled "The Stages of Memory: Reflections on Memorial Art, Loss, and the Spaces Between."
The lecture takes place in the UCHI Conference Room (room 153), fourth floor, Homer Babbidge Library, Storrs Campus.
Dr. James E. Young is the Founding Director of the Institute for Holocaust, Genocide, and Memory Studies, UMass Amherst, and jury member for the Berlin Holocaust Memorial and the 9/11 Memorial.
The talk is supported by the Symbolic Reparations Research Project, Humanities Institute, UCHI Public Discourse Project, Human Rights Institute, Center for Judaic Studies and Contemporary Jewish Life, and the Department of Art and Art History. For more information contact Associate Professor of Art History Robin Greeley (robin.greeley@uconn.edu), or visit: http://symbolicreparations.org/
Center for Judaic Studies and Contemporary Jewish Life Writer-in-Residence Joan Seliger Sidney will be participating in a poetry reading on April 15, 2017, at 4:30 pm at Metro Cafe in Hartford. The reading supports multiple sclerosis patients, and funds raised at the event will support the Mandell Center for Multiple Sclerosis at Saint Francis Hospital in Hartford.
On Monday, April 24, at 7:00 pm, please join us for the annual Academic Convocation on the Holocaust when Trinity College Professor Samuel D. Kassow will present "Time Capsules in the Rubble: the Secret Archive of the Warsaw Ghetto." The Convocation will be held in the Doris and Simon Konover Auditorium in the Dodd Research Center on the Storrs campus and is sponsored by the Center for Judaic Studies and Contemporary Jewish Life Fierberg Lecture in Judaic Studies, the Human Rights Institute, and the Thomas J. Dodd Research Center. A reception will immediately follow. Attending this event counts toward sophomore honors credit.
During World War II, Jews resisted not only with guns but also with pen and paper. Even in the face of death they left "time capsules" full of documents that they buried under the rubble of ghettos and death camps. They were determined that posterity would remember them on the basis of Jewish and not German sources. Thousands of documents were buried in the Ringelblum Archive in the Warsaw Ghetto. Of the 60 people who worked on this national mission, only three survived. This will be their story.
What began as a collection of documents and attestations clandestinely obtained in order to record testimony of Jewish life in Poland under occupying Nazi forces became, when word of mass killings reached Warsaw, the courageous pursuit of Warsaw ghetto prisoners to bear witness to the Holocaust.
Jewish historian Emanuel Ringelblum established the underground group Oyneg Shabes in 1940, its secret mission to archive Jewish life in Poland by conducting interviews and collecting documentation that included photos, letters, diaries, official government notices, flyers, and posters–all of which served to document and describe life in the Jewish ghetto as well as the destruction of Jewish communities in Poland.
Dr. Ringelblum and all but three members of the Oyneg Shabes group perished in the Holocaust, but their testimony remains an incomparable resource for Holocaust study. Before the Warsaw uprising, the documents were buried in milk cans and tin boxes in three locations in the Ghetto. Unearthed in 1946 and 1950, two-thirds of the archive has been found and preserved by the Jewish Historical Institute in Warsaw, Poland, and researchers have cataloged and digitized the archive throughout the last two decades.
Trinity College historian Samuel D. Kassow, expert on the Ringelblum collection, is the author of Who Will Write Our History? Emanuel Ringelblum, the Warsaw Ghetto, and the Oyneg Shabes Archives in which he documents the efforts taken by Dr. Ringelblum and Oyneg Shabes to preserve Jewish history and resist Nazi oppression.
Professor Kassow served as a consultant for the documentary film project Who Will Write Our History, set to release in 2017 and directed by award-winning director Roberta Grossman with Nancy Spielberg as executive producer. The film is based on Professor Kassow's study. For the full story, see Jewish Ledger article "On Location in Poland."
Samuel D. Kassow is the Charles Northam Professor of History at Trinity College. He is author of Students, Professors, and the State in Tsarist Russia, 1884–1917 and editor (with Edith W. Clowes) of Between Tsar and People: The Search for a Public Identity in Tsarist Russia. He lives in Hartford, Connecticut.
Parking is available in the North and South garages on campus. Garage rates are $1/hr after 5pm. Did you know that after 5:00 pm, visitors may park in any on-campus space not designated as reserved, restricted or limited?
Getting Here:
View an interactive map of the Storrs campus and even download the app version to your phone: http://maps.uconn.edu/map/
The Connecticut Council for Interreligious Understanding, Inc. (CCIU) invites you to attend the Fourth Annual Interfaith Film Series to be held at the Wadsworth Atheneum on two Sunday afternoons in March and on the first Sunday afternoon in April, 2017.
The Center for Judaic Studies has forged a partnership with Charter Oak Cultural Center in Hartford to collaborate on cultural and educational events, extending our capacity to support, sustain, and foster Jewish culture and the arts beyond the campus. We are excited to continue that partnership this spring by bringing Connecticut native Adrianne Greenbaum and her klezmer ensemble FleytMuzik to perform “Farewell to the Homeland: Polyn” at Charter Oak Cultural Center (21 Charter Oak Avenue, Hartford, CT) on March 23 at 7:00 pm. Visit Charter Oak's website for detailed information on directions and parking.
A highly acclaimed musician with degrees from Yale School of Music and Oberlin College Conservatory, Professor Greenbaum is a sought after flutist who has performed worldwide and is the leading pioneer revivalist of the klezmer flute tradition. Klezmer music, the traditional music of eastern European Jewry, is known for the beautiful, soulful, and joyous sounds of flute, violin, cimbalom, and bass. FleytMuzik is a unique and charismatic ensemble that has brought klezmer music to the world stage; and their concerts, performed on the historic instruments of the 19th century, bring to life the music of eastern European Jewry and its shtetl bands.
FleytMuzik is comprised of leading musicians of traditional klezmer. Led by internationally renowned pioneering klezmer flutist, Adrianne Greenbaum, with Michael Alpert, vocals and violin (National Heritage Fellowship award, 2015), Pete Rushefsky, tsimbl (tsimbalist with Itzhak Perlman's “In the Fiddler’s House”), Jake Shulman-Ment, fiddle, Brian Glassman, bass, and guest, UConn adjunct woodwind specialist, Walter “Zev” Mamlok.
Klezmer ensemble FleytMuzik performs
Professor Greenbaum was recently featured in Lilith Magazine, where she described her efforts to revitalize the music created by Polish Jews, so much of which was lost in the devastating wake of the Nazis.
“Farewell to the Homeland: Poyln” Concert
The Geshikhte/Story: A tiny shtetl in Dubiecko, Poland; three generations of a family klezmer band; post Shabbos torchlight parade to Belzer rebbe; 1934 Bar Mitzvah on a boat to America; family members live or die in Holocaust; Jewish music manuscripts found in family violin case. Fast forward to 2009, Adrianne Greenbaum and Sharon Frant Brooks make a miraculous shidduk/shidduch, Greenbaum transcribes the many scribbled pages of music, travels to Poland and performs a few of the tunes at the cemetery, and finally, “FleytMuzik’s” musicians perform these works that were alive in early 19th century. Poland, with the full musical story coming to fruition today.
About Adrianne Greenbaum
Professor of Music at Mount Holyoke College, Adrianne Greenbaum is sought after as a performer and teacher for diverse audiences and enjoys teaching children as well as adults, most recently joining the faculty at New Horizons in Chattauqua, NY, and the adult session at New England Music Camp in Maine. Adrianne is the leading pioneer revivalist of the klezmer flute tradition, performing on vintage European and American wood flutes from the late nineteenth centuries. She enjoys touring with her klezmer ensemble “FleytMuzik” having recently completed a seven concert tour of Scotland and presented her klezmer and early music blend at the prestigious Pittsburgh Renaissance and Baroque series in 2016.
In addition to many universities and colleges throughout the US, she has performed and given master classes in Dusseldorf, Paris, Vienna, and Krakow. Her albums "FleytMuzik" and "Family Portrait" have won awards and acclaim for her entertaining and historically informed performances, the most recent being the release of "Farewell to the Homeland: Poyln." For many years running, Adrianne has been invited to perform and give workshops for the National and the British Flute Society Societies and for the prestigious New York Flute Club, focusing on baroque and klezmer ornamentation, and exploring commonalities between these two genres.
Beyond her private studio she has taught at many adult programs, including KlezKamp, KlezKanada, KlezmerQuerque, Boxwood Festival (Nova Scotia) and Santa Fe Flute Immersion and has led master classes and workshops in England, France, Austria, and across the US. This summer marked the third annual hosting of her popular World Music and Improv Camp in CT. Additionally she has created a new concert series on period instruments, connecting klezmer and baroque music. Ms. Greenbaum is Solo Flutist of the Wall Street Chamber Players, Principal Flute Emeritus of Orchestra New England and the New Haven Symphony and resides in Fairfield, CT.